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初レッスン〜伊丹教室〜♪参上
おはようございます。
みんな、お正月は楽しくすごせましたか〜

まみも楽しく、忙しくお正月は過ぎていきました

で、昨日は初レッスン

伊丹教室に行ってきましたよ。
お正月休みにもかかわらずみんな元気に来てくれました。

ストレッチもかかさず練習してくれていたのか、
みんなすごく軟らかかったです

   

  

   

私は・・・
ずいぶんお休みしていたので身体が・・・
ゆうこと聞きません・・・
いつものように口(だけ)うるさくやってしまいました・・・

踊りは、少し忘れていたけど思い出したか〜
何回かするうちにしっかりできましたよ。
(,里らすはね・・・)

△離ラスはできるのに・・・
お友達に頼りっぱなし
同じところでまちがったり、お友達の踊りにつられて 
うごいてしまったり

で、爆発しましたよ。(大爆発ではなっかたからね)

間違ったところはやり直して
「出来るか?できないか?」ときいて
「出来る」と答えた

曲をならして

できた〜 すごいぞ
気合一発〜ほら”!やれば出来るじゃん
すごっく素敵に踊ってた
(今まではなんやってん・・・

何事も 集中力 やる気 一発

出来ることを確認したから 
次からは油断でけへんで~


踊りを進めて、覚えてくるように、
宿題だしたね〜!!
来週はいけないけど、まき先生に聞くからね!!

他の教室のチビリーナちゃん達も一緒だよ!!

では、今日は鴨谷に初レッスン

気合入れて、いってきま〜す!!

ps、エバラ教室の皆さんへ

エバラの初レッスンは
12日(水)です。
曜日が変更になってるので間違わないようにね
時間は同じだよ

  
伊丹市立緑ヶ丘体育館(水曜日) | comments(404) | trackbacks(0)
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2014/05/20 3:50 AM
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2014/05/20 6:33 AM
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2014/05/20 6:55 AM
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2014/05/20 7:41 AM
Whilst fashion may try to subvert or construct gender identities, it may simply support social ideals already in place. As Malcom Barnard writes in his book Fashion as Communication, "Signs are only meaningful on the basis of their relations to all other signs" (1996, p156). In this way fashion can only convey a meaning when coupled with other signs (particularly the body itself), and as such cannot construct a gendered identity of its own accord. In order for clothing to be a signifier of a gender identity, that gender identity must already be constructed in order to give fashion its meaning. In which case, fashion is not constructing gender identities; it is reflecting and reinforcing them. Not all fashions have been accepted by society, the most obvious examples being skirts and the colour pink not being acceptable for men (Lurie, 1992, p214). Some designers, like Jennifer Minniti, have attempted to promote skirts and dresses as a male alternative; however such designs have not succeeded in the mainstream (Shreve, 1998). This is likely due to them not conforming to society's expectations of gender identities. Men in skirts are still considered to be cross dressing, and as such skirts remain signifiers of femininity. Gender identity also comprises more than appearance. Gesture, behaviour and social standing all contribute to a person's gender identity, and whilst fashion can attempt to draw on or hide these signifiers it cannot do so completely.
2014/05/20 8:37 AM
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2014/05/20 8:53 AM
Gaultier's design can be read as an attempt at subverting the objectification of women through fashion. By taking on a traditional signifier of women's restriction, that is, the corset, and placing large cone shaped breasts on it, it can be said that Gaultier has created an image of female empowerment (French, 2004). By making the corset visible he highlights the way in which women have been forced to conform to accepted standards of beauty, and the way in which these standards are constructed. The cones add to this reading by removing the maternal aspects of the breast and indicating the way in which they have been objectified and the unnatural form that has become the beauty standard in western culture (French, 2004). However this design could also be seen not as a parody and symbol of empowerment, but as a reinforcement of patriarchal ideals.
2014/05/20 9:35 AM
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2014/05/20 10:16 AM
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2014/05/20 11:11 AM
A woman wearing men's clothing does not conform to the feminine ideal and as such is recognisably subverting it. The fact that this subversion is identifiable highlights the gendered nature of the fashion industry and the way in which it supports society's belief in the feminine being separate from the masculine. If gender identity is learnt, then by choosing our own clothes we reflect how well we have learnt to be masculine or feminine. For cross dressers fashion is a means of either constructing a gendered identity different to the one expected of them or parodying the constructed nature of gender itself.
2014/05/20 11:23 AM
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2014/05/20 11:29 AM
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2014/05/20 12:27 PM
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2014/05/20 12:31 PM
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2014/05/20 12:42 PM
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2014/05/20 7:38 PM
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2014/05/20 7:59 PM
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2014/05/20 10:08 PM
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2014/05/20 10:26 PM
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2014/05/20 11:28 PM
High heeled shoes, like the corset, are an example of fashion supporting the female gender identity by constricting and binding women. The narrow toed high heel shoe that has been so popular in recent years, forces the foot and ankle into an unnatural position, as well as restricting the toes. The heel places the foot at an angle, making the legs look longer and more elegant and drawing attention to the ankle (which has long been associated with physical attraction) (Lurie, 1992, p227). This angle also forces the woman to 'strut' to some extent in order to walk. The unnatural position inevitably makes standing and walking for any length of time painful as well as making running at any speed an impossibility. Any woman in heels attempting to outrun a man is certain to fail, thus reaffirming mans position of dominance. Yet high heeled shoes are extremely popular and are considered quite stylish, even being worn with jeans (Lurie, 1992, p227). This example in particular highlights femininity as a construction being based on appearance not physical ability. The appearance of a long leg is considered superior to being able to actually utilize it. This unhealthy focus on women's appearance rather than their physical ability and health has been perpetrated by the fashion industry for decades. One of the dominant messages that fashion conveys is that women should be thin (Macdonald, 1995, p201).
2014/05/21 12:32 AM
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2014/05/21 1:06 AM
The 'gaze' plays a significant role in the maintenance of the male/female binary and as such the separation of gender identities. The 'gaze' (that is, the act of looking at and objectifying the opposite sex) is considered predominantly masculine, with many images of women in the media being constructed for the male audience (Barnard, 1996, p140). However when a man is the subject of the gaze the binary is not destroyed, as merely reversing the act of 'looking' and being 'looked at' does not alter the active/passive, male/female binary. These must be transcended in order to begin breaking down the distinction between gender identities (Barnard, 1996, p140). As such fashion, by encouraging the male gaze and helping to define masculine from feminine is supporting the male/female binary. Cross dressing is one way of making it especially clear that this male/female binary exists.
2014/05/21 1:27 AM
Whilst fashion may try to subvert or construct gender identities, it may simply support social ideals already in place. As Malcom Barnard writes in his book Fashion as Communication, "Signs are only meaningful on the basis of their relations to all other signs" (1996, p156). In this way fashion can only convey a meaning when coupled with other signs (particularly the body itself), and as such cannot construct a gendered identity of its own accord. In order for clothing to be a signifier of a gender identity, that gender identity must already be constructed in order to give fashion its meaning. In which case, fashion is not constructing gender identities; it is reflecting and reinforcing them. Not all fashions have been accepted by society, the most obvious examples being skirts and the colour pink not being acceptable for men (Lurie, 1992, p214). Some designers, like Jennifer Minniti, have attempted to promote skirts and dresses as a male alternative; however such designs have not succeeded in the mainstream (Shreve, 1998). This is likely due to them not conforming to society's expectations of gender identities. Men in skirts are still considered to be cross dressing, and as such skirts remain signifiers of femininity. Gender identity also comprises more than appearance. Gesture, behaviour and social standing all contribute to a person's gender identity, and whilst fashion can attempt to draw on or hide these signifiers it cannot do so completely.
2014/05/21 1:28 AM
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2014/05/21 1:53 AM
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2014/05/21 2:00 AM
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2014/05/21 5:34 AM
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2014/05/21 6:08 AM
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2014/05/21 6:28 AM
Madonna has been a 'sex symbol' for decades, with her streamlined, slim, healthy body and attractive blonde image conforming to the feminine ideal. She has become a loaded sign in herself. In this way, when she makes the corset visible it becomes fetishised. The revealing of undergarments is already a sexual image, but by coupling it with a sexual body this effect is enhanced (Lurie, 1992, p6). She also does not appear uncomfortable in the garment, and can move easily about the stage, thus indicating that if one conforms to this stereotype then they will achieve some element of freedom. Similarly the cone shaped breasts become objects of sexual desire by drawing attention to her breasts in a non maternal light, making them the most eye catching thing about the entire garment. The costume is completed with fish net stockings, an item which conjures images of promiscuous women. To add to this her hair is tied up in a style reminiscent of Barbra Eden's in I Dream of Jeannie, in which Jeannie calls Major Nelson (played by Larry Hagman) 'Master' (I Dream of Jeannie, 1965 1970). This combination of signifiers serves to reinforce the feminine stereotype through Jean Paul Gaultier's corset, rather than subverting the feminine ideal. In this costume Madonna becomes the fetishised subject of the male gaze. The duality of the garment is a clear indicator of the various ways in which fashion and dress can be read, as well as the way it ultimately still supports the constructed female gender identity despite trying to subvert it. It also shows that the reading of fashion can be influenced by the body and any pre existing signs which a garment or image may refer to. At times these references are clearly apparent.
2014/05/21 6:29 AM
Madonna has been a 'sex symbol' for decades, with her streamlined, slim, healthy body and attractive blonde image conforming to the feminine ideal. She has become a loaded sign in herself. In this way, when she makes the corset visible it becomes fetishised. The revealing of undergarments is already a sexual image, but by coupling it with a sexual body this effect is enhanced (Lurie, 1992, p6). She also does not appear uncomfortable in the garment, and can move easily about the stage, thus indicating that if one conforms to this stereotype then they will achieve some element of freedom. Similarly the cone shaped breasts become objects of sexual desire by drawing attention to her breasts in a non maternal light, making them the most eye catching thing about the entire garment. The costume is completed with fish net stockings, an item which conjures images of promiscuous women. To add to this her hair is tied up in a style reminiscent of Barbra Eden's in I Dream of Jeannie, in which Jeannie calls Major Nelson (played by Larry Hagman) 'Master' (I Dream of Jeannie, 1965 1970). This combination of signifiers serves to reinforce the feminine stereotype through Jean Paul Gaultier's corset, rather than subverting the feminine ideal. In this costume Madonna becomes the fetishised subject of the male gaze. The duality of the garment is a clear indicator of the various ways in which fashion and dress can be read, as well as the way it ultimately still supports the constructed female gender identity despite trying to subvert it. It also shows that the reading of fashion can be influenced by the body and any pre existing signs which a garment or image may refer to. At times these references are clearly apparent.
2014/05/21 7:23 AM
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are 'normal'. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is not inherent, and therefore does not necessarily coincide with ones sexual identity. By encoding specific garments and styles as either feminine or masculine, it becomes much clearer what gender someone is because their appearance (and as such part of their gender identity) is expected to coincide with their sexual identity. In this way, what is considered masculine and feminine in regards to dress is also a social construction. As fashion is primarily considered a feminine concern (, it is through examples of the female gender identity that fashions influence can best be seen.
2014/05/21 7:24 AM
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2014/05/21 6:26 PM
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2014/05/21 6:28 PM
In society today there is a clear divide between fashions considered feminine and those considered masculine. However, is this a result of the fashion industry itself, or is the industry merely reflecting the changing attitudes of society as a whole? It is difficult to determine where the line between gender reproduction and gender construction stands in regards to fashion and dress, as it can be read in a number of ways. Fashion has been used in attempts to deconstruct gender stereotypes, as in some cases of cross dressing, but has also been used as a means of reinforcing them via items like the high heeled shoe. Fashion has been a part of western culture for centuries and as fashion has changed so too has its significations. The style of the garments we wear, their fabrics and colours, all carry signifiers of various aspects of our lives. In times past, fashion trends were set by the middle and upper classes, with the result that fashion became a signifier of social standing. For example during the Baroque period of the seventeenth century it was fashionable for both men and woman of the upper classes to wear garments decorated with large amounts of lace and ribbon (Stecker, 1996, p14). This gave men's fashion a highly feminine appearance; however they were quite distinct from the lower classes which did not utilise such decoration. In the present day this class distinction has lessened and a gender distinction has become predominant. This division is established almost as soon as we are born. In western culture it is customary for male babies to wear blue and female babies to wear pink. earning a living) (Lurie, 1992, p214). In the adult world it is acceptable for women to wear blue, however men still rarely wear pink, and those who do are often accused of being effeminate and homosexual (Lurie, 1992, p214). One theory states that one of the first functions of clothing was to attract the opposite sex. By only revealing and highlighting specific parts of the body
2014/05/21 7:07 PM
Cross dressing has been utilized by performers like comedian Barry Humphries, as a means of making a social statement. Humphries' famous character Dame Edna Everage has become a popular entertainment figure. Through this character Humphries is able to explore and parody the construction of femininity. Dame Edna is deliberately extreme in her appearance, often wearing large ornate glasses and purple hair (Dame Edna The Official Site). She is an example of exaggerated femininity which borders on the grotesque. She is a loaded signifier, with her purple hair and extremely costume like clothes she is the epitome of gender as construction and denaturalises the idea that there is a natural gendered state. Such parody is not limited to cross dressing however, it can also be revealed through strategically designed garments like the Jean Paul Gaultier corset which Madonna famously wore.
2014/05/21 7:08 PM
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2014/05/21 7:32 PM
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2014/05/21 7:39 PM
A woman wearing men's clothing does not conform to the feminine ideal and as such is recognisably subverting it. The fact that this subversion is identifiable highlights the gendered nature of the fashion industry and the way in which it supports society's belief in the feminine being separate from the masculine. If gender identity is learnt, then by choosing our own clothes we reflect how well we have learnt to be masculine or feminine. For cross dressers fashion is a means of either constructing a gendered identity different to the one expected of them or parodying the constructed nature of gender itself.
2014/05/21 8:07 PM
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2014/05/22 12:19 AM
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2014/05/22 1:33 AM
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2014/05/22 2:20 AM
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2014/05/22 2:39 AM
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2014/05/22 5:33 AM
All of us make use of ESX5 using Windows Storage Hardware ISCSI spots without having issues. I assume "mileage may well vary" does apply right here.
2014/05/22 6:07 AM
I actually nonetheless assume last. fm is the best. You probably should sign up to get any reasonable work with experience, nevertheless $3 thirty days (you can stop almost any time) is basically not a whole lot.
2014/05/22 6:09 AM
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2014/05/22 6:11 AM
Chad The way in which I actually read the story there is a 10 megabit network. NTL perhaps?
2014/05/22 6:25 AM
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2014/05/22 6:26 AM
That makes it the obligation on the person being slandered by means of unsubstantiated claims to disprove these people? I'd personally claim that Charlie Kass provides evil flying monkeys residing on the inside their pursue, and it would be your responsibility to endure an unpleasant public anal assessment in order to disprove the particular promise. This is a activity liberals wish to enjoy, because their very own growing media lapdogs can make whichever state they really want on page one and pic a modification on page of sixteen (if at all). In case you include practically nothing for the guy, these kind of unsubstantiated effects just give you and folks as if you possibilities to publicize smudges. Solutions nothing is to statements, however you rely on them to destroy the many foes of your respective thought of "the better excellent. micron Although I know that you're outraged from the requirements intended for Obama release a their school transcripts or maybe the meet his / her promises in relation to government visibility.
2014/05/22 6:26 AM
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2014/05/22 6:27 AM
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2014/05/22 6:32 AM
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2014/05/22 6:55 AM
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2014/05/22 7:05 AM
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2014/05/22 7:27 AM
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2014/05/22 7:28 AM
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2014/05/22 7:59 AM
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2014/05/22 8:48 AM
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2014/05/22 9:34 AM
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2014/05/22 9:39 AM
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2014/05/22 10:46 AM
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2014/05/22 2:55 PM
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2014/05/22 5:35 PM
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2014/05/22 7:49 PM
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2014/05/22 7:59 PM
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2014/05/22 8:42 PM
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2014/05/22 8:58 PM
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2014/05/22 9:07 PM
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2014/05/22 9:19 PM
There is no inherent reason for an item of clothing, for example a skirt, to be considered feminine. Roland Barthes, in his book The Diseases of Costume, writes of theatrical dress as a kind of language in which the basic element is the sign (Lurie, 1992, p3). This statement can be expanded to include all elements of dress away from the theatre. If clothing is a sign therefore, it must be given a meaning and this meaning, as with all signs, is constructed. For example, society has identified the skirt as a signifier of femininity, which has been reinforced through repeated exposure (both through the media and on the street) to images of women in skirts and men in trousers. The fact that the gender signification of this garment has altered indicates that fashion, just like gender itself, is a social construction, with fashion items becoming loaded signs. If our appearance is an accumulation of signs then we each reveal something about ourselves through our choice of garments; clothing becomes a reflection of our identity. Whilst fashion does allow women to experiment with their image and different ways of portraying femininity, as something primarily constructed for the male gaze it still confines women to a choice between constructed female identities (Barnard, 1996, p140).
2014/05/22 10:47 PM
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are 'normal'. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is not inherent, and therefore does not necessarily coincide with ones sexual identity. By encoding specific garments and styles as either feminine or masculine, it becomes much clearer what gender someone is because their appearance (and as such part of their gender identity) is expected to coincide with their sexual identity. In this way, what is considered masculine and feminine in regards to dress is also a social construction. As fashion is primarily considered a feminine concern (, it is through examples of the female gender identity that fashions influence can best be seen.
2014/05/22 10:48 PM
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2014/05/22 10:55 PM
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2014/05/22 11:28 PM
The 'gaze' plays a significant role in the maintenance of the male/female binary and as such the separation of gender identities. The 'gaze' (that is, the act of looking at and objectifying the opposite sex) is considered predominantly masculine, with many images of women in the media being constructed for the male audience (Barnard, 1996, p140). However when a man is the subject of the gaze the binary is not destroyed, as merely reversing the act of 'looking' and being 'looked at' does not alter the active/passive, male/female binary. These must be transcended in order to begin breaking down the distinction between gender identities (Barnard, 1996, p140). As such fashion, by encouraging the male gaze and helping to define masculine from feminine is supporting the male/female binary. Cross dressing is one way of making it especially clear that this male/female binary exists.
2014/05/22 11:42 PM
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are 'normal'. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is not inherent, and therefore does not necessarily coincide with ones sexual identity. By encoding specific garments and styles as either feminine or masculine, it becomes much clearer what gender someone is because their appearance (and as such part of their gender identity) is expected to coincide with their sexual identity. In this way, what is considered masculine and feminine in regards to dress is also a social construction. As fashion is primarily considered a feminine concern (, it is through examples of the female gender identity that fashions influence can best be seen.
2014/05/22 11:43 PM
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2014/05/23 12:01 AM
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2014/05/23 12:51 AM
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2014/05/23 1:11 AM
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2014/05/23 1:27 AM
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2014/05/23 2:36 AM
Initially, thanks for obtaining the particular improvement throughout Private Image Burial container.
2014/05/23 3:23 AM
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2014/05/23 4:05 AM
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2014/05/23 5:19 AM
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2014/05/23 5:49 AM
They can continue to keep a tip toes design since i have be employed in a space having very little temperature.Manged to get a new stain concerning eso gold and can't stimulate it outside that will disturbs everyone.
2014/05/23 6:14 AM
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2014/05/23 6:48 AM
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2014/05/23 6:57 AM
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Madonna has been a 'sex symbol' for decades, with her streamlined, slim, healthy body and attractive blonde image conforming to the feminine ideal. She has become a loaded sign in herself. In this way, when she makes the corset visible it becomes fetishised. The revealing of undergarments is already a sexual image, but by coupling it with a sexual body this effect is enhanced (Lurie, 1992, p6). She also does not appear uncomfortable in the garment, and can move easily about the stage, thus indicating that if one conforms to this stereotype then they will achieve some element of freedom. Similarly the cone shaped breasts become objects of sexual desire by drawing attention to her breasts in a non maternal light, making them the most eye catching thing about the entire garment. The costume is completed with fish net stockings, an item which conjures images of promiscuous women. To add to this her hair is tied up in a style reminiscent of Barbra Eden's in I Dream of Jeannie, in which Jeannie calls Major Nelson (played by Larry Hagman) 'Master' (I Dream of Jeannie, 1965 1970). This combination of signifiers serves to reinforce the feminine stereotype through Jean Paul Gaultier's corset, rather than subverting the feminine ideal. In this costume Madonna becomes the fetishised subject of the male gaze. The duality of the garment is a clear indicator of the various ways in which fashion and dress can be read, as well as the way it ultimately still supports the constructed female gender identity despite trying to subvert it. It also shows that the reading of fashion can be influenced by the body and any pre existing signs which a garment or image may refer to. At times these references are clearly apparent.
2014/05/23 5:36 PM
Gaultier's design can be read as an attempt at subverting the objectification of women through fashion. By taking on a traditional signifier of women's restriction, that is, the corset, and placing large cone shaped breasts on it, it can be said that Gaultier has created an image of female empowerment (French, 2004). By making the corset visible he highlights the way in which women have been forced to conform to accepted standards of beauty, and the way in which these standards are constructed. The cones add to this reading by removing the maternal aspects of the breast and indicating the way in which they have been objectified and the unnatural form that has become the beauty standard in western culture (French, 2004). However this design could also be seen not as a parody and symbol of empowerment, but as a reinforcement of patriarchal ideals.
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looking obtaining eso gold for some time for not long ago i have noticed my spouse and i impact inside the locks. this current year i aquired established eso gold provided by nordstrom and in addition they developed into a fake combine. these smelled funny plus the color choice ended up being incorrectly. after i changed all of them for a unique combine which newer binocular appeared rather like serious eso gold nonetheless they wasn't the identical good quality. simply put i sent back these people. everybody, had been knock- offs.
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2014/05/24 6:20 AM
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2014/05/24 6:50 AM
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2014/05/24 7:45 AM
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2014/05/24 7:57 AM
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are 'normal'. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is not inherent, and therefore does not necessarily coincide with ones sexual identity. By encoding specific garments and styles as either feminine or masculine, it becomes much clearer what gender someone is because their appearance (and as such part of their gender identity) is expected to coincide with their sexual identity. In this way, what is considered masculine and feminine in regards to dress is also a social construction. As fashion is primarily considered a feminine concern (, it is through examples of the female gender identity that fashions influence can best be seen.
2014/05/24 8:57 AM
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2014/05/24 8:58 AM
There is no inherent reason for an item of clothing, for example a skirt, to be considered feminine. Roland Barthes, in his book The Diseases of Costume, writes of theatrical dress as a kind of language in which the basic element is the sign (Lurie, 1992, p3). This statement can be expanded to include all elements of dress away from the theatre. If clothing is a sign therefore, it must be given a meaning and this meaning, as with all signs, is constructed. For example, society has identified the skirt as a signifier of femininity, which has been reinforced through repeated exposure (both through the media and on the street) to images of women in skirts and men in trousers. The fact that the gender signification of this garment has altered indicates that fashion, just like gender itself, is a social construction, with fashion items becoming loaded signs. If our appearance is an accumulation of signs then we each reveal something about ourselves through our choice of garments; clothing becomes a reflection of our identity. Whilst fashion does allow women to experiment with their image and different ways of portraying femininity, as something primarily constructed for the male gaze it still confines women to a choice between constructed female identities (Barnard, 1996, p140).
2014/05/24 9:54 AM
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2014/05/24 11:58 AM
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2014/05/24 1:16 PM
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2014/05/24 2:06 PM
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2014/05/24 4:38 PM
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2014/05/24 8:44 PM
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2014/05/24 9:09 PM
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2014/05/24 10:59 PM
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2014/05/24 11:40 PM
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2014/05/25 1:00 AM
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2014/05/25 1:45 AM
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2014/05/25 2:29 AM
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2014/05/25 2:38 AM
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2014/05/25 3:19 AM
A Shed Container sync would be fine. This will likely manage device to unit transfer in addition. A lot of people try to find this specific characteristic inside the app-store regardless of what often the iphone app is made for.
2014/05/25 3:20 AM
I¶,aEO?r 2010 09 26 21:21:15¥-¥・¥e¥C¥3c`¥e?E´u±i?μ?i?eIYIaOAA?2A±£×o‰TAI?I!¢¥U¥o¥-?a¥E¥1?I?e?|?EA?2A?E‰TA??o×÷?e?I?C?I?E? ̄!¢A??EE??sTz?a¥?¥?¥×?C?1?I?C!¢¥a¥o¥A¥E¥o¥1‰T×°?o?μ?i?eeH?I!¢Oa?I‰TAI?o¥μ¥o¥Ac`μE?C?I?¬?1±OOa?I?¢?e?T?≫?o!£ERI´???・?A¥O¥e¥・?C±iAa?I?A?i?oE!?A?AC¬?≪?1?A?±?C3a・O?C?1!£
2014/05/25 3:55 AM
A lot of these attributes have been included as part of iPad 2 The reason I will not purchase Apple company goods is really because our primary employed buyer functions Thumb in just about all his websites. I need to be capable of make use of Display in the computers, touch screen phones as well as supplements.
2014/05/25 4:08 AM
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2014/05/25 4:09 AM
Just how will a person utilize this option but construct within the redundancy of an SAN? Can you build two these as well as leveraging VMWare and Glass windows attributes in order to replicate records throughout the 2 within in close proximity to live?
2014/05/25 4:16 AM
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2014/05/25 4:48 AM
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2014/05/25 5:08 AM
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2014/05/25 5:51 AM
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2014/05/25 7:35 AM
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2014/05/25 8:28 AM
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2014/05/25 9:53 AM
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2014/05/25 10:12 AM
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2014/05/25 12:44 PM
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2014/05/25 3:26 PM
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2014/05/25 4:07 PM
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2014/05/25 4:13 PM
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2014/05/25 4:29 PM
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2014/05/26 7:48 PM
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2014/05/26 10:31 PM
Gaultier's design can be read as an attempt at subverting the objectification of women through fashion. By taking on a traditional signifier of women's restriction, that is, the corset, and placing large cone shaped breasts on it, it can be said that Gaultier has created an image of female empowerment (French, 2004). By making the corset visible he highlights the way in which women have been forced to conform to accepted standards of beauty, and the way in which these standards are constructed. The cones add to this reading by removing the maternal aspects of the breast and indicating the way in which they have been objectified and the unnatural form that has become the beauty standard in western culture (French, 2004). However this design could also be seen not as a parody and symbol of empowerment, but as a reinforcement of patriarchal ideals.
2014/05/26 11:00 PM
Cross dressing has been utilized by performers like comedian Barry Humphries, as a means of making a social statement. Humphries' famous character Dame Edna Everage has become a popular entertainment figure. Through this character Humphries is able to explore and parody the construction of femininity. Dame Edna is deliberately extreme in her appearance, often wearing large ornate glasses and purple hair (Dame Edna The Official Site). She is an example of exaggerated femininity which borders on the grotesque. She is a loaded signifier, with her purple hair and extremely costume like clothes she is the epitome of gender as construction and denaturalises the idea that there is a natural gendered state. Such parody is not limited to cross dressing however, it can also be revealed through strategically designed garments like the Jean Paul Gaultier corset which Madonna famously wore.
2014/05/26 11:01 PM
EyAeC°!¢¥ ̄¥e¥1¥T¥1DYI??oAuOA?・?A?O×a3EE?C¥?¥R¥e¥1?I¥i¥o¥E¥o?ODD?A?A?-?T?・??!£IO?E¶¬?EDD?-???≪?A???i?±?C?I?E???I?C?1?¬!¢DY?s?oAuOA?・?A???i?U?EoR? ̄?E??Eu?O!¢?E???|EA?C¥i¥o¥E¥o?EDD?-?T?・??×i3oe?U‡?CiR?E×A?????r?I1A??iR?K?s?EEU?・o@?-?T?・??!£?O?E?E?aoIER≫O?a¥U¥o¥-‰T?e?・???e?|?E,D?,?CAO¶I?IDA?・???O?D?≪?e?I¥≪¥E¥A?I¶?ED?I??Ia?E×!?o?C???e???a!¢???I°μ?μ?E?IoI?E?aNO?¨?E??Ii?o,D?,?T?・???¬!¢EyEO?U?A?A?s?e?E!¢???i?E?e?E?sE・?I?¢?e?¨Ii?E?U×A?a,D?,?e?e?|?E?E?e?T?・??¥i¥1¥E¥e¥o?a¥U¥A¥e?IOD?E?I?¨Ii?I?sE・?o?o?-Tz?o?AD!?μ?E¥×¥e¥A¥ ̄?¬?¢?eEA?a¶a? ̄!¢AdI¶Ei? ̄Oi?o?A?e?C?-?T?1!£≫EEO?´OAs_?I¥Tc`¥ ̄?I?¢?e?aμe?a?E?3?i?E?3?i?E?¢?e!¢¥¨¥e¥¶¥U¥1ARIo?”?¬UI??Ii?μ?i???aμe?A?EE??|?E???A?IE ̄uxIY?μ?o?C?aoI?E?E? ̄?YA・?¬?¢?e?e?|?E,D?,?e?i?T?1Boxing Day
2014/05/26 11:30 PM
A woman wearing men's clothing does not conform to the feminine ideal and as such is recognisably subverting it. The fact that this subversion is identifiable highlights the gendered nature of the fashion industry and the way in which it supports society's belief in the feminine being separate from the masculine. If gender identity is learnt, then by choosing our own clothes we reflect how well we have learnt to be masculine or feminine. For cross dressers fashion is a means of either constructing a gendered identity different to the one expected of them or parodying the constructed nature of gender itself.
2014/05/26 11:57 PM
In society today there is a clear divide between fashions considered feminine and those considered masculine. However, is this a result of the fashion industry itself, or is the industry merely reflecting the changing attitudes of society as a whole? It is difficult to determine where the line between gender reproduction and gender construction stands in regards to fashion and dress, as it can be read in a number of ways. Fashion has been used in attempts to deconstruct gender stereotypes, as in some cases of cross dressing, but has also been used as a means of reinforcing them via items like the high heeled shoe. Fashion has been a part of western culture for centuries and as fashion has changed so too has its significations. The style of the garments we wear, their fabrics and colours, all carry signifiers of various aspects of our lives. In times past, fashion trends were set by the middle and upper classes, with the result that fashion became a signifier of social standing. For example during the Baroque period of the seventeenth century it was fashionable for both men and woman of the upper classes to wear garments decorated with large amounts of lace and ribbon (Stecker, 1996, p14). This gave men's fashion a highly feminine appearance; however they were quite distinct from the lower classes which did not utilise such decoration. In the present day this class distinction has lessened and a gender distinction has become predominant. This division is established almost as soon as we are born. In western culture it is customary for male babies to wear blue and female babies to wear pink. earning a living) (Lurie, 1992, p214). In the adult world it is acceptable for women to wear blue, however men still rarely wear pink, and those who do are often accused of being effeminate and homosexual (Lurie, 1992, p214). One theory states that one of the first functions of clothing was to attract the opposite sex. By only revealing and highlighting specific parts of the body
2014/05/26 11:58 PM
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初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 12:51 AM
初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 12:52 AM
初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 1:27 PM
初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 2:09 PM
初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 7:42 PM
初レッスン〜伊丹教室〜♪参上 | ま〜み★スポーツバレエ
2014/07/27 7:47 PM
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